Written by James Fox-Smith
Published May 2012.
What’s that saying about the darkest hour being the one just before the dawn? In hindsight, last week turned out rather dark, when the mundane pressures of a modern Monday required that I be up and about long before first light. So it was still black as pitch outside as I sat on the porch steps, listening to night noises while waiting for the kettle to boil. Having spent seventeen years living in this creaky old country house, my wife and I are no strangers to things that go ‘bump’ in the night. Most of the bumps, burps, croaks, chirps, scuffles, scratches, hoots and howls of a Louisiana nighttime are familiar to us these days, and trying to identify the critters that make them is an entertaining pastime. So I was surprised, that Monday morning, to hear something I’ve never before heard in all the years of living out here—a Whippoorwill.
Have you ever heard a whippoorwill call? You’ll remember if you have. Floating out of the darkness, a whippoorwill’s high, ethereal cry seems the very distillation of loneliness and loss—up there with the calls of barred owls and coyote packs in the classic creepy night noises department. Listening to this one, which sounded as if it must have been sitting in the live oak in the backyard, it was easy to understand why the whippoorwill has a special place in American folklore. Native American stories hold that a whippoorwill’s song is a death omen; another early folk legend suggests that the bird is a harbinger of death that can sense a soul departing, and sings to capture it as it leaves. I didn’t know any of this at the time—I learned it all the following day after posting about hearing the bird on Facebook. And not being especially superstitious, I suppose I would have forgotten all about the whippoorwill’s visit soon enough had we not discovered our faithful old German shepherd dead beneath an azalea bush three days after hearing its mournful song.





